Posts Tagged ‘cancel culture’

“Political correctness is fascism pretending to be manners.”—George Carlin

Cancel culture—political correctness amped up on steroids, the self-righteousness of a narcissistic age, and a mass-marketed pseudo-morality that is little more than fascism disguised as tolerance—has shifted us into an Age of Intolerance, policed by techno-censors, social media bullies, and government watchdogs.

Everything is now fair game for censorship if it can be construed as hateful, hurtful, bigoted or offensive provided that it runs counter to the established viewpoint.

In this way, the most controversial issues of our day—race, religion, sex, sexuality, politics, science, health, government corruption, police brutality, etc.—have become battlegrounds for those who claim to believe in freedom of speech but only when it favors the views and positions they support.

Free speech for me but not for thee” is how my good friend and free speech purist Nat Hentoff used to sum up this double standard.

This tendency to censor, silence, delete, label as “hateful,” and demonize viewpoints that run counter to the cultural elite is being embraced with a near-fanatical zealotry by a cult-like establishment that values conformity and group-think over individuality.

For instance, are you skeptical about the efficacy of the COVID-19 vaccines? Do you have concerns about the outcome of the 2020 presidential election? Do you subscribe to religious beliefs that shape your views on sexuality, marriage and gender? Do you, deliberately or inadvertently, engage in misgendering (identifying a person’s gender incorrectly) or deadnaming (using the wrong pronouns or birth name for a transgender person)?

Say yes to any of those questions and then dare to voice those views in anything louder than a whisper and you might find yourself suspended on Twitter, shut out of Facebook, and banned across various social media platforms.

This authoritarian intolerance masquerading as tolerance, civility and love (what comedian George Carlin referred to as “fascism pretending to be manners”) is the end result of a politically correct culture that has become radicalized, institutionalized and tyrannical.

In the past few years, for example, prominent social media voices have been censored, silenced and made to disappear from Facebook, Twitter, YouTube and Instagram for voicing ideas that were deemed politically incorrect, hateful, dangerous or conspiratorial.

Most recently, Twitter suspended conservative podcaster Matt Walsh for violating its hate speech policy by sharing his views about transgendered individuals. “The greatest female Jeopardy champion of all time is a man. The top female college swimmer is a man. The first female four star admiral in the Public Health Service is a man. Men have dominated female high school track and the female MMA circuit. The patriarchy wins in the end,” Walsh tweeted on Dec. 30, 2021.

J.K. Rowling, author of the popular Harry Potter series, has found herself denounced as transphobic and widely shunned for daring to criticize efforts by transgender activists to erode the legal definition of sex and replace it with gender. Rowling’s essay explaining her views is a powerful, articulate, well-researched piece that not only stresses the importance of free speech and women’s rights while denouncing efforts by trans activists to demonize those who subscribe to “wrongthink,” but also recognizes that while the struggle over gender dysmorphia is real, concerns about safeguarding natal women and girls from abuse are also legitimate.

Ironically enough, Rowling’s shunning included literal book burning. Yet as Ray Bradbury once warned, “There is more than one way to burn a book. And the world is full of people running about with lit matches.”

Indeed, the First Amendment is going up in flames before our eyes, but those first sparks were lit long ago and have been fed by intolerance all along the political spectrum.

Consider some of the kinds of speech being targeted for censorship or outright elimination.

Offensive, politically incorrect and “unsafe” speech: Political correctness has resulted in the chilling of free speech and a growing hostility to those who exercise their rights to speak freely. Where this has become painfully evident is on college campuses, which have become hotbeds of student-led censorship, trigger warningsmicroaggressions, and “red light” speech policies targeting anything that might cause someone to feel uncomfortable, unsafe or offended.

Bullying, intimidating speech: Warning that “school bullies become tomorrow’s hate crimes defendants,” the Justice Department has led the way in urging schools to curtail bullying, going so far as to classify “teasing” as a form of “bullying,” and “rude” or “hurtful” “text messages” as “cyberbullying.”

Hateful speech: Hate speech—speech that attacks a person or group on the basis of attributes such as gender, ethnic origin, religion, race, disability, or sexual orientation—is the primary candidate for online censorship. Corporate internet giants Google, Twitter and Facebook continue to re-define what kinds of speech will be permitted online and what will be deleted.

Dangerous, anti-government speech: As part of its ongoing war on “extremism,” the government has partnered with the tech industry to counter online “propaganda” by terrorists hoping to recruit support or plan attacks. In this way, anyone who criticizes the government online can be considered an extremist and will have their content reported to government agencies for further investigation or deleted. In fact, the Justice Department is planning to form a new domestic terrorism unit to ferret out individuals “who seek to commit violent criminal acts in furtherance of domestic social or political goals.” What this will mean is more surveillance, more pre-crime programs, and more targeting of individuals whose speech may qualify as “dangerous.”

The upshot of all of this editing, parsing, banning and silencing is the emergence of a new language, what George Orwell referred to as Newspeak, which places the power to control language in the hands of the totalitarian state.

Under such a system, language becomes a weapon to change the way people think by changing the words they use.

The end result is mind control and a sleepwalking populace.

In totalitarian regimes—a.k.a. police states—where conformity and compliance are enforced at the end of a loaded gun, the government dictates what words can and cannot be used.

In countries where the police state hides behind a benevolent mask and disguises itself as tolerance, the citizens censor themselves, policing their words and thoughts to conform to the dictates of the mass mind lest they find themselves ostracized or placed under surveillance.

Even when the motives behind this rigidly calibrated reorientation of societal language appear well-intentioned—discouraging racism, condemning violence, denouncing discrimination and hatred—inevitably, the end result is the same: intolerance, indoctrination and infantilism.

The social shunning favored by activists and corporations borrows heavily from the mind control tactics used by authoritarian cults as a means of controlling its members. As Dr. Steven Hassan writes in Psychology Today: “By ordering members to be cut off, they can no longer participate. Information and sharing of thoughts, feelings, and experiences are stifled. Thought-stopping and use of loaded terms keep a person constrained into a black-and-white, all-or-nothing world. This controls members through fear and guilt.”

This mind control can take many forms, but the end result is an enslaved, compliant populace incapable of challenging tyranny.

As Rod Serling, creator of The Twilight Zone, once observed, “We’re developing a new citizenry, one that will be very selective about cereals and automobiles, but won’t be able to think.”

The problem as I see it is that we’ve allowed ourselves to be persuaded that we need someone else to think and speak for us. And we’ve bought into the idea that we need the government and its corporate partners to shield us from that which is ugly or upsetting or mean. The result is a society in which we’ve stopped debating among ourselves, stopped thinking for ourselves, and stopped believing that we can fix our own problems and resolve our own differences.

In short, we have reduced ourselves to a largely silent, passive, polarized populace incapable of working through our own problems and reliant on the government to protect us from our fears.

As Nat Hentoff, that inveterate champion of the First Amendment, once observed, “The quintessential difference between a free nation, as we profess to be, and a totalitarian state, is that here everyone, including a foe of democracy, has the right to speak his mind.”

What this means is opening the door to more speech not less, even if that speech is offensive to some.

Understanding that freedom for those in the unpopular minority constitutes the ultimate tolerance in a free society, James Madison, the author of the Bill of Rights, fought for a First Amendment that protected the “minority” against the majority, ensuring that even in the face of overwhelming pressure, a minority of one—even one who espouses distasteful viewpoints—would still have the right to speak freely, pray freely, assemble freely, challenge the government freely, and broadcast his views in the press freely.

We haven’t done ourselves—or the nation—any favors by becoming so fearfully polite, careful to avoid offense, and largely unwilling to be labeled intolerant, hateful or closed-minded that we’ve eliminated words, phrases and symbols from public discourse.

We have allowed our fears—fear for our safety, fear of each other, fear of being labeled racist or hateful or prejudiced, etc.—to trump our freedom of speech and muzzle us far more effectively than any government edict could.

Ultimately the war on free speech—and that’s exactly what it is: a war being waged by Americans against other Americans—is a war that is driven by fear.

By bottling up dissent, we have created a pressure cooker of stifled misery and discontent that is now bubbling over and fomenting even more hate, distrust and paranoia among portions of the populace.

By muzzling free speech, we are contributing to a growing underclass of Americans who are being told that they can’t take part in American public life unless they “fit in.”

The First Amendment is a steam valve. It allows people to speak their minds, air their grievances and contribute to a larger dialogue that hopefully results in a more just world. When there is no steam valve to release the pressure, frustration builds, anger grows, and people become more volatile and desperate to force a conversation.

Be warned: whatever we tolerate now—whatever we turn a blind eye to—whatever we rationalize when it is inflicted on others will eventually come back to imprison us, one and all.

Eventually, “we the people” will be the ones in the crosshairs.

At some point or another, depending on how the government and its corporate allies define what constitutes “hate” or “extremism, “we the people” might all be considered guilty of some thought crime or other.

When that time comes, there may be no one left to speak out or speak up in our defense.

After all, it’s a slippery slope from censoring so-called illegitimate ideas to silencing truth. Eventually, as George Orwell predicted, telling the truth will become a revolutionary act.

We are on a fast-moving trajectory.

In other words, whatever powers you allow the government and its corporate operatives to claim now, for the sake of the greater good or because you like or trust those in charge, will eventually be abused and used against you by tyrants of your own making.

This is the tyranny of the majority against the minority marching in lockstep with technofascism.

If Americans don’t vociferously defend the right of a minority of one to subscribe to, let alone voice, ideas and opinions that may be offensive, hateful, intolerant or merely different, then we’re going to soon find that we have no rights whatsoever (to speak, assemble, agree, disagree, protest, opt in, opt out, or forge our own paths as individuals).

No matter what our numbers might be, no matter what our views might be, no matter what party we might belong to, it will not be long before “we the people” constitute a powerless minority in the eyes of a power-fueled fascist state driven to maintain its power at all costs.

We are almost at that point now.

Free speech is no longer free.

On paper—at least according to the U.S. Constitution—we are technically free to speak.

In reality, however, we are only as free to speak as a government official—or corporate entities such as Facebook, Google or YouTube—may allow.

The steady, pervasive censorship creep that is being inflicted on us by corporate tech giants with the blessing of the powers-that-be threatens to bring about a restructuring of reality straight out of Orwell’s 1984, where the Ministry of Truth polices speech and ensures that facts conform to whatever version of reality the government propagandists embrace.

Orwell intended 1984 as a warning. Instead, as I make clear in my book Battlefield America: The War on the American People and in its fictional counterpart The Erik Blair Diaries, it is being used as a dystopian instruction manual for socially engineering a populace that is compliant, conformist and obedient to Big Brother.

The police state could not ask for a better citizenry than one that carries out its own censorship, spying and policing.

Source: https://bit.ly/3qjYsV8

ABOUT JOHN W. WHITEHEAD

Constitutional attorney and author John W. Whitehead is founder and president The Rutherford Institute. His books Battlefield America: The War on the American People and A Government of Wolves: The Emerging American Police State are available at www.amazon.com. He can be contacted at johnw@rutherford.org. Nisha Whitehead is the Executive Director of The Rutherford Institute. Information about The Rutherford Institute is available at www.rutherford.org.

Publication Guidelines / Reprint Permission

John W. Whitehead’s weekly commentaries are available for publication to newspapers and web publications at no charge. Please contact staff@rutherford.org to obtain reprint permission.

“It’s Christmas Eve! It’s the one night of the year when we all act a little nicer, we smile a little easier, we cheer a little more. For a couple of hours out of the whole year, we are the people that we always hoped we would be! It’s a sort of a miracle because it happens every Christmas Eve… There are people that are having trouble making their miracle happen… It’s not just the poor and the hungry, it’s everybody that’s gotta have this miracle!”— Scrooged (1988)

What a year.

It feels as if government Grinches, corporate Scrooges, and cancel culture humbugs have been working overtime to drain every last drop of joy, kindness and liberty from the world.

After endless months of gloom and doom, it can be hard to feel the joy of Christmas in the midst of rampant commercialism, political correctness and the casual cruelty of an apathetic, self-absorbed, dog-eat-dog world.

Then again, isn’t that struggle to overcome the darkness and find the light within exactly what Christmas—the celebration of a baby born in a manger—is all about? The reminder that we have not been forgotten or forsaken. Glad tidings in the midst of hard times. Goodwill to counter meanness. Innocence in the face of cynicism. Hope in the midst of despair. Comfort to soothe our fears. Peace as an answer to war. Love that conquers hate.

As “fellow-passengers to the grave,” we all have a moral duty to make this world (or at least our small corners of it) just a little bit kinder, a little less hostile and a lot more helpful to those in need.

No matter what one’s budget, religion, or political persuasion, there is no shortage of things we can each do right now to pay our blessings forward and recapture the true spirit of Christmas.

For starters, move beyond the “us” vs. “them” mentality. Tune into what’s happening in your family, in your community and your world, and get active. Show compassion to those in need, be kind to those around you, forgive those who have wronged you, and teach your children to do the same. Talk less, and listen more. Take less, and give more. Stop being a hater. Stop acting entitled and start being empowered. Learn tolerance in the true sense of the word. Value your family. Count your blessings. Share your blessings. Feed the hungry, shelter the homeless and comfort the lonely and broken-hearted. Build bridges, and tear down walls. Stand for freedom. Strive for peace.

One thing more: make time for joy and laughter. Shake off the blues with some Christmas tunes, whatever fits the bill for you, be it traditional carols, rollicking oldies, or some rocking new tunes. Watch a Christmas movie that reinforces your faith in the things that truly matter.

Here are ten of my favorite Christmas movies and music albums to get you started.

First the movies.

It’s A Wonderful Life (1946). An American classic about a despondent man, George Bailey who is saved from suicide by an angel working to get his wings. This film is a testament to director Frank Capra’s faith in people. Sublime performances by James Stewart and Donna Reed.

The Bishop’s Wife (1947). An angel comes to earth in answer to a bishop’s prayer for help. Cary Grant, David Niven and Loretta Young help energize this tale of lost visions and longings of the heart.

Miracle on 34th Street (1947). By happenchance, Kris Kringle is hired as Santa Claus by Macy’s Department Store in New York City for the Thanksgiving Day Parade. Before long, Kringle, who believes himself to be the one and only Santa Claus, has impacted virtually everyone around him. Funny, witty and heartwarming, this film is stocked with some fine performances from Maureen O’Hara, John Payne and young Natalie Wood. Edmund Gwenn won the Academy Award for best supporting actor for his role as Saint Nick.

A Christmas Carol (1951). This is the best film version of the penny-pinching Scrooge’s journey to spiritual enlightenment by way of visits from supernatural visitors. Alastair Sim as Scrooge gives one of the finest film performances never to win an Oscar. The Man Who Invented Christmas (2017) provides a wonderful glimpse into how Charles Dickens came to write A Christmas Carol.

A Christmas Story (1983). Ralphie is a young boy obsessed with one thing and only one thing: how to get a Red Ryder BB-gun for Christmas. Ralphie’s parents are wary, and his mother continually warns him that “you’ll shoot your eye out.” Based on Jean Shepherd’s autobiographical book In God We Trust, All Others Pay Cash, at the heart of this timeless comedy is the universal yearning of a child for the magic of Christmas morning. A great cast, which includes Darren McGavin, Peter Billingsley, Melinda Dillon and a voice-over narrative by Shepherd himself.

One Magic Christmas (1985). If you grew up in a family where times were tough, this film is for you. A guardian angel comes to earth to help a disillusioned woman who hates Christmas. This tale of redemption and second chances is a delight to watch. And Harry Dean Stanton makes a first-class offbeat angel.

Prancer (1989). This story of an eight-year-old girl who believes that an injured reindeer in her barn is actually one of Santa’s reindeer is one of the most down-to-earth Christmas films ever made. It’s a testament to the transforming power of love and childhood innocence. Sam Elliott and Cloris Leachman are fine in supporting roles, but Rebecca Harrell shines. Filmed on location in freezing, snowy weather, this film is a treat for those who love Christmas.

Home Alone (1990). Eight-year-old Kevin, accidentally left behind at home when his family flies to Paris for Christmas, thinks he’s got it made. Hijinks ensue when two burglars match their wits against his. A funny, tender tribute to childhood and the bonds of family.

Elf (2003). Another modern classic with a lot of heart. Buddy, played to the hilt by Will Ferrell, is a human who was raised by elves at the North Pole. Determined to find his birth father, Buddy travels to the Big Apple and spreads his Christmas cheer to everyone he meets. This film has it all: Santa, elves, family problems, humor, emotion and above all else, a large dose of the Christmas spirit. One of the best Christmas movies ever made.

The Christmas Chronicles (2018). The story of a sister and brother, Kate and Teddy Pierce, whose Christmas Eve plan to catch Santa Claus on camera turns into an unexpected journey that most kids could only dream about. Kurt Russell’s star turn as Santa makes for movie magic.

Now for the music.

Out of the hundreds of Christmas albums I’ve listened to over the years, the following, covering a broad range of musical styles, moods and tastes, each in its own way perfectly captures the essence of Christmas for me.

It’s Christmas (EMI, 1989): 18 great songs, ranging from John Lennon’s “Happy Xmas (War Is Over)” to Bing Crosby’s “White Christmas.” The real treats on this album are Greg Lake’s “I Believe in Father Christmas,” Kate Bush’s “December Will Be Magic Again” and Aled Jones’ “Walking in the Air.”

Christmas Guitar (Rounder, 1986): 28 beautifully done traditional Christmas songs by master guitarist John Fahey. Hearing Fahey’s guitar strings plucking out “Joy to the World,” “Good King Wenceslas,” “Jolly Old Saint Nicholas,” among others, is a sublime experience.

Christmas Is A Special Day (The Right Stuff, 1993): 12 fine songs by Fats Domino, the great Fifties rocker, ranging from “Amazing Grace” to “Jingle Bells.” The title song, written by Domino himself, is a real treat. No one has ever played the piano keys like Fats.

Christmas Island (August/Private Music, 1989): “Frosty the Snowman” will never sound the same after you hear Leon Redbone and Dr. John do their duet. Neither will “Christmas Island” or “Toyland” on this collection of 11 traditional and rather offbeat songs.

A Holiday Celebration (Gold Castle, 1988): The classic folk trio Peter, Paul & Mary, backed by the New York Choral Society, sing traditional and nontraditional holiday fare on 12 beautifully orchestrated songs. Included are “I Wonder as I Wander,” “Children Go Where I Send Thee,” and “The Cherry Tree Carol.” Also thrown in is Bob Dylan’s “Blowin’ in the Wind.”

The Christmas Album (Columbia, 1992): Neil Diamond sings 14 songs, ranging from “Silent Night” to “Jingle Bell Rock” to “The Christmas Song” to “Come, O Come Emmanuel.” Diamond also gives us a great rendition of Lennon’s “Happy Xmas (War Is Over).” A delightful album.

A Charlie Brown Christmas (Fantasy, 1988): 12 traditional Christmas songs by the Vince Guaraldi Trio. The pianist extraordinaire and his trio perform “O Tannenbaum,” “The Christmas Song” and “Greensleeves.” Also included is the Charlie Brown Christmas theme.

The Jethro Tull Christmas Album (Fuel Records, 2003): If you like deep-rooted traditional holiday songs, you’ll love this album. The 16 songs range from “God Rest Ye Merry Gentlemen” to Ian Anderson originals such as “Another Christmas Song” and “Jack Frost and the Hooded Crow.” With Anderson on flute and vocals, this album has an old world flavor that will have you wanting mince pie and plum pudding.

A Twisted Christmas (Razor Tie, 2006): Twisted Sister, the heavy metal group, knocks the socks off a bevy of traditional and pop Christmas songs. Dee Snider’s amazing vocals brings to life “Oh Come All Ye Faithful,” “Deck the Halls,” “I Saw Mommy Kissing Santa Claus,” among others—including “Heavy Metal Christmas (The Twelve Days of Christmas).” Great fun and a great band.

Songs for Christmas (Asthmatic Kitty, 2006): In 2001, independent singer/songwriter Sufjan Stevens set out to create a Christmas gift through songs for his friends and family. It eventually grew to a 5-CD box set, which includes Stevens’ original take on such standards as “Amazing Grace” and “We Three Kings” and some inventive yuletide creations of his own. A lot of fun.

Before you know it, Christmas will be a distant memory and we’ll be back to our regularly scheduled programming of “us vs. them” politics, war, violence, materialism and mayhem.

As I make clear in my book Battlefield America: The War on the American People and in its fictional counterpart The Erik Blair Diaries, there may not be much we can do to avoid the dismal reality of the American police state in the long term—not so long as the powers-that-be allow profit margins to take precedence over people—but in the short term, I hope you’ll do your part to “spread a smile of joy” and “throw your arms around the world at Christmastime.”

As you celebrate the season, take to heart the closing sermon in The Bishop’s Wife:

“Once upon a midnight clear, there was a child’s cry, a blazing star hung over a stable, and wise men came with birthday gifts. We haven’t forgotten that night down the centuries. We celebrate it with stars on Christmas trees, with the sound of bells, and with gifts… We forget nobody, adult or child. All the stockings are filled, all that is, except one. And we have even forgotten to hang it up. The stocking for the child born in a manger. It’s his birthday we’re celebrating. Don’t let us ever forget that. Let us ask ourselves what He would wish for most. And then, let each put in his share, loving kindness, warm hearts, and a stretched out hand of tolerance. All the shining gifts that make peace on earth.”—The Bishop’s Wife (1947)

Source: https://bit.ly/3yHuNYg

ABOUT JOHN W. WHITEHEAD

Constitutional attorney and author John W. Whitehead is founder and president The Rutherford Institute. His books Battlefield America: The War on the American People and A Government of Wolves: The Emerging American Police State are available at www.amazon.com. He can be contacted at johnw@rutherford.org. Nisha Whitehead is the Executive Director of The Rutherford Institute. Information about The Rutherford Institute is available at www.rutherford.org.

Publication Guidelines / Reprint Permission

John W. Whitehead’s weekly commentaries are available for publication to newspapers and web publications at no charge. Please contact staff@rutherford.org to obtain reprint permission.